III
This brings us to one of the most hotly debated questions in Masonic history—the question as to the number and nature of the degrees made use of in the old craft lodges. Hardly any other subject has so deeply engaged the veteran archaeologists of the order, and while it ill becomes any one glibly to decide such an issue, it is at least permitted us, after studying all of value that has been written on both sides, to sum up what seems to be the truth arrived at.[91] While such a thing as a written record of an ancient degree—aside from the Old Charges, which formed a part of the earliest rituals—is unthinkable, we are not left altogether to the mercy of conjecture in a matter so important. Cesare Cantu tells us that the Comacine Masters "were called together in the Loggie by a grand-master to treat of affairs common to the order, to receive novices, and confer superior degrees on others."[92] Evidence of a sort similar is abundant, but not a little confusion will be avoided if the following considerations be kept in mind:
First, that during its purely operative period the ritual of Masonry was naturally less formal and ornate than it afterwards became, from the fact that its very life was a kind of ritual and its symbols were always visibly present in its labor. By the same token, as it ceased to be purely operative, and others not actually architects were admitted to its fellowship, of necessity its rites became more formal—" very formall," as Dugdale said in 1686,[93]—portraying in ceremony what had long been present in its symbolism and practice.
Second, that with the decline of the old religious art of building—for such it was in very truth—some of its symbolism lost its luster, its form surviving but its meaning obscured, if not entirely faded. Who knows, for example—even with the Klein essay on The Great Symbol[94] in hand—what Pythagoras meant by his lesser and greater Tetractys? That they were more than mathematical theorems is plain, yet even Plutarch missed their meaning. In the same way, some of the emblems in our Lodges are veiled, or else wear meanings invented after the fact, in lieu of deeper meanings hidden, or but dimly discerned. Albeit, the great emblems still speak in truths simple and eloquent, and remain to refine, instruct, and exalt.
Third, that when Masonry finally became a purely speculative or symbolical fraternity, no longer an order of practical builders, its ceremonial inevitably became more elaborate and imposing—its old habit and custom, as well as its symbols and teachings, being enshrined in its ritual. More than this, knowing how "Time the white god makes all things holy, and what is old becomes religion," it is no wonder that its tradition became every year more authoritative; so that the tendency was not, as many have imagined, to add to its teaching, but to preserve and develop its rich deposit of symbolism, and to avoid any break with what had come down from the past.
Keeping in mind this order of evolution in the history of Masonry, we may now state the facts, so far as they are known, as to its early degrees; dividing it into two periods, the Operative and the Speculative.[95] An Apprentice in the olden days was "entered" as a novice of the craft, first, as a purely business proceeding, not unlike our modern indentures, or articles. Then, or shortly afterwards—probably at the annual Assembly—there was a ceremony of initiation making him a Mason—including an oath, the recital of the craft legend as recorded in the Old Charges, instruction in moral conduct and deportment as a Mason, and the imparting of certain secrets. At first this degree, although comprising secrets, does not seem to have been mystic at all, but a simple ceremony intended to impress upon the mind of the youth the high moral life required of him. Even Guild-masonry had such a rite of initiation, as Hallam remarks, and if we may trust the Findel version of the ceremony used among the German Stone-masons, it was very like the first degree as we now have it—though one has always the feeling that it was embellished in the light of later time.[96]
So far there is no dispute, but the question is whether any other degree was known in the early lodges. Both the probabilities of the case, together with such facts as we have, indicate that there was another and higher degree. For, if all the secrets of the order were divulged to an Apprentice, he could, after working four years, and just when he was becoming valuable, run away, give himself out as a Fellow, and receive work and wages as such. If there was only one set of secrets, this deception might be practiced to his own profit and the injury of the craft—unless, indeed, we revise all our ideas held hitherto, and say that his initiation did not take place until he was out of his articles. This, however, would land us in worse difficulties later on. Knowing the fondness of the men of the Middle Ages for ceremony, it is hardly conceivable that the day of all days when an Apprentice, having worked for seven long years, acquired the status of a Fellow, was allowed to go unmarked, least of all in an order of men to whom building was at once an art and an allegory. So that, not only the exigences of his occupation, but the importance of the day to a young man, and the spirit of the order, justify such a conclusion.
Have we any evidence tending to confirm this inference? Most certainly; so much so that it is not easy to interpret the hints given in the Old Charges upon any other theory. For one thing, in nearly all the MSS, from the Regius Poem down, we are told of two rooms or resorts, the Chamber and the Lodge—sometimes called the Bower and the Hall—and the Mason was charged to keep the "counsells" proper to each place. This would seem to imply that an Apprentice had access to the Chamber or Bower, but not to the Lodge itself—at least not at all times. It may be argued that the "other counsells" referred to were merely technical secrets, but that is to give the case away, since they were secrets held and communicated as such. By natural process, as the order declined and actual building ceased, its technical secrets became ritual secrets, though they must always have had symbolical meanings. Further, while we have record of only one oath—which does not mean that there was only one—signs, tokens, and words are nearly always spoken of in the plural; and if the secrets of a Fellowcraft were purely technical—which some of us do not believe—they were at least accompanied and protected by certain signs, tokens, and passwords. From this it is clear that the advent of an Apprentice into the ranks of a Fellow was in fact a degree, or contained the essentials of a degree, including a separate set of signs and secrets.
When we pass to the second period, and men of wealth and learning who were not actual architects began to enter the order—whether as patrons of the art or as students and mystics attracted by its symbolism—other evidences of change appear. They, of course, were not required to serve a seven year apprenticeship, and they would naturally be Fellows, not Masters, because they were in no sense masters of the craft. Were these Fellows made acquainted with the secrets of an Apprentice? If so, then the two degrees were either conferred in one evening, or else—what seems to have been the fact—they were welded into one; since we hear of men being made Masons in a single evening.[97] Customs differed, no doubt, in different Lodges, some of which were chiefly operative, or made up of men who had been working Masons, with only a sprinkling of men not workmen who had been admitted; while others were purely symbolical Lodges as far back as 1645. Naturally in Lodges of the first kind the two degrees were kept separate, and in the second they were merged—the one degree becoming all the while more elaborate. Gradually the men who had been Operative Masons became fewer in the Lodges—chiefly those of higher position, such as master builders, architects, and so on—until the order became a purely speculative fraternity, having no longer any trade object in view.
Not only so, but throughout this period of transition, and even earlier, we hear intimations of "the Master's Part," and those hints increase in number as the office of Master of the Work lost its practical aspect after the cathedral-building period. What was the Master's Part? Unfortunately, while the number of degrees may be indicated, their nature and details cannot be discussed without grave indiscretion; but nothing is plainer than that we need not go outside Masonry itself to find the materials out of which all three degrees, as they now exist, were developed.[98] Even the French Companionage, or Sons of Solomon, had the legend of the Third Degree long before 1717, when some imagine it to have been invented. If little or no mention of it is found among English Masons before that date, that is no reason for thinking that it was unknown. Not until 1841 was it known to have been a secret of the Companionage in France, so deeply and carefully was it hidden.[99] Where so much is dim one may not be dogmatic, but what seems to have taken place in 1717 was, not the addition of a third degree made out of whole cloth, but the conversion of two degrees into three.
That is to say, Masonry is too great an institution to have been made in a day, much less by a few men, but was a slow evolution through long time, unfolding its beauty as it grew. Indeed, it was like one of its own cathedrals upon which one generation of builders wrought and vanished, and another followed, until, amidst vicissitudes of time and change, of decline and revival, the order itself became a temple of Freedom and Fraternity—its history a disclosure of its innermost soul in the natural process of its transition from actual architecture to its "more noble and glorious purpose." For, since what was evolved from Masonry must always have been involved in it—not something alien added to it from extraneous sources, as some never tire of trying to show—we need not go outside the order itself to learn what Masonry is, certainly not to discover its motif and its genius; its later and more elaborate form being only an expansion and exposition of its inherent nature and teaching. Upon this fact the present study insists with all emphasis, as over against those who go hunting in every odd nook and corner to find whence Masonry came, and where it got its symbols and degrees.